I’m an international award-winning Design Director / Art Director from New Zealand, currently based in Canada.
With over 13 years’ experience working in design, my work covers brand design, conceptual editorial design, advertising art direction, and everything that falls within.
That might be a lot of things, but whether it's for waste management giants, a postpartum support house, stuffed-crust pizza, or a city of 1.5 million, I bring the same relentless hunt for the big idea and an emotional intelligence that leaves even the most complex subjects simple and full of feeling.
Ranked in top 30 • Strategy Magazine Report Card’s top designers in Canada
Winner • Design • Entire Publication • Applied Arts Design
Currently Shortlisted • Design • Strategy Marketing Awards
Silver • Design • Corporate Comms • ADCC Awards*
Bronze • Design • Public Service • ADCC Awards
Winner • Mobile Series • Communication Arts Advertising
Gold • Design • Strategy Marketing Awards*
Winner • Integrated Brand Identity • Communication Arts Design
Bronze • Rebrand • Design • Strategy Marketing Awards
Merit • Typography • Design • Strategy Marketing Awards*
Winner • PSA/Charity/Government • Applied Arts Design Awards
Gold Anvil • Direct Mail • AdRodeo Awards
Silver Anvil • Brand Identity • AdRodeo Awards
Gold Anvil • Annual Report • AdRodeo Awards*
Silver Anvil • Annual Report • AdRodeo Awards*
Gold Anvil • Microsite/Campaign Website • AdRodeo Awards*
Gold Anvil • Purpose Driven Impact • AdRodeo Awards*
Gold Anvil • Fearless Client • AdRodeo Awards*
Gold Anvil • Craft Design • AdRodeo Awards*
Gold Anvil • Craft Art Direction • AdRodeo Awards*
Merit • Design • The One Show
Bronze • Design • Strategy Marketing Awards
Silver • Design • Public Service • ADCC Awards
Winner • Best in Show • Communication Arts Typography
Silver • Photography • Graphic Design Photography • ADCC Awards
Winner • Brochure • Communication Arts Typography
Winner • Brochure/Report • Communication Arts Typography
Winner • Annual Report • Communication Arts Design
Finalist • Public Service • Communication Arts Design
Winner • Public Service/Charity • Applied Arts Design
Winner • Entire Publication Design • Applied Arts Design
Best in Show • AdRodeo Anvils
Winner • Annual Report • AdRodeo Anvils
Silver • Photography Single • AdRodeo Anvils
Silver • Photography Series • AdRodeo Anvils
Silver • Craft Photography • AdRodeo Anvils
Shortlisted • Design • The One Show
Winner • Annual Report • Communication Arts Design
Winner • Annual Report Single • Applied Arts
Merit • Strategy 101st Marketing Awards • Design
Finalist • NZ Best Awards
Merit • Design • The One Show
Winner • Entire Publication Design • Applied Arts
Merit • Design • Marketing Awards
Winner • Cause Related Creative Response • Applied Arts
Winner • Brochure • Communication Arts Design Awards
Anvil • Brochure, Book, and Publication Design • Ad Rodeo Awards
Finalist (Pending) • Design Communication • NZ Best Awards
Bronze • Live Action / Animation • IDÉA Awards (Quebec)
*As Leadership
Calgary Foundation’s Vital Signs is an annual report measuring our city’s quality of life, providing a yearly snapshot of where our heads are at. The report is widely circulated with politicians, media outlets, corporations, non-profits, and Calgary’s general population.
--
2021’s report was a year like no other; our first year lived entirely through a global pandemic. Our challenge became finding a design language that would allow the statistics to depict the deeper meaning of the story. We didn’t want to talk about the pandemic, we wanted to talk about what it meant.
For many of us, 2021 wasn’t defined by what we had, but what we missed — each other. It was the year we didn’t hold our parents, embrace our friends, or touch the hands of strangers. Our shifting feelings about the physical touch of others, how we both yearned for and were afraid of it, became the fundamental visual language.
We leveraged the new meanings and associations we now have with touch and contact — from the longing absence of simple affection to the visceral repulsion we might now feel from a surface or object touched by many strangers — to frame the unusual context this year’s report has over previous.
This special edition of the report features a black foil-stamped thermochromic ink cover activating and becoming transparent upon contact, bringing a sense of immediacy and reality to the effects of our touch, and providing a tactile experience to contrast a year where most have been made virtual.
houtout to the Daughter team for lending their fingerprints, and Keli Pollock for the silkscreen lesson.
Merit • Design • The One Show 2022
Winner • Entire Publication Design • Applied Arts 2022
Winner • Cause Related Creative Response • Applied Arts 2022
Winner • Brochure • Communication Arts Design Awards 2022
Anvil • Publication Design • Ad Rodeo Awards 2022
Merit • Design • Marketing Awards 2022
Finalist • Design Communication • NZ Best Awards 2022
















